It will make you understand the journey from scene capture all the way to display and give a much clearer insight on why we shoot camera native gamut/log or raw and preferably work color managed in post.
DAVINCI RESOLVE SYSTEM COLOR PICKER PROFESSIONAL
You don't have to be a professional colorist or color scientist to give good advice and you don't have to spend years on the job to do color management accurately but you do need to spend time reading and watching the right stuff, understanding it intelligently and then practising with equipment suitable for the task. If he follows the BMD color management training video that I suggested above (as well as the other excellent training material on the BMD website), then he will definitely be on the right track. It will also not allow the auto user to understand what they are doing and what changes to make to get things right. It will use a Rec709 (Scene) Input Color Space as the default which will not get him near where he needs to go with the normalisation. Using auto SDR color management gives no control over nor any idea of what is happening. That action is to set the Input Color Space to Panasonic V-Gamut/V-Log in the OP's case. In my opinion it is not sensible to use an automatic SDR color management workflow as this will miss out on the need to take one very important action for best results. Assuming it is SDR then the color management should use an SDR setting. The HDR versus SDR workflow argument is a totally unnecessary and irrelevant diversion here given that the OP has not mentioned anything about his monitor. The OP is in all likelihood going to be very confused reading this thread when in reality it is not difficult to use color management effectively in Resolve.
DAVINCI RESOLVE SYSTEM COLOR PICKER MAC
Im using DaVinci Resolve Studio 18.0.1 on a Mac Anything else that I should rather be selecting?Īs you can probably tell, I'm new to this Color Management, and I'm sure there is not one right answer to my questions, but I hope this makes sense. I'm definitely using Panasonic, but it's not the Varicam. What is the benefit of using ACES rather than DaVinci YRGB? I know that with ACES, you can select the Input Transform and get your image to look colorful and contrasty rather than a flat V-Log, but why is that better or maybe not better?Īs I said, I'm using Panasonic GH6, 10-bit 4:2:2 in V-Log, and the only option that I see from the ACES Input Transform is Panasonic Varicam VLog Gamut - CSC. Now I'm shooting 10-bit 4:2:2 in V-Log, and I want to make sure that I am handling the colors the right way with Color Management. I have been using my old Panasonic GH4 for many years in 8-bit, but I recently upgraded to Panasonic GH6. I'm a bit new to DaVinci Resolve and also shooting 10-bit videos.
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